rekli
Said in 12 Slovenian podcast lines.
Ne vem, kje je to, kaj ste rekli, da je zaščiteno.
I don't know where it is, what you said is protected.

radioCona: Avtorstvo in vizualna umetnost - pogovor s pravniki in umetniki - 2.del / Panel discussion with lawyers and artists about authors rights and visual arts - part 2, june 2008OKROGLA MIZA 2 DEL - Panel discussion part 2
Ti ste rekli, da je pravniško razumevanje, umetniško razumevanje, ne.
You said that legal understanding is, artistic understanding is not.

radioCona: Maja Lubarda in Igor Štromajer: Pogovor o digitalnem zapisu in avtorstvu kode / Discussion about digital data and software code, june 2008Maja LUMBARDA-Igor STROMAJER
Tako, mogoče še dodava tukaj, da te zadeve v bistvu, ne vem, v časih mogoče izpadajo hitro dost, kako bi rekli, lajične oziroma mogoče nestrokovne, hkrati pa so to v bistvu tehnike, ki se uporabljajo v klinični praksi.
So, maybe we should add here that these things, in fact, I don't know, sometimes they seem to disappear quickly, how should I put it, layman or perhaps unprofessional, but at the same time, these are actually techniques that are used in clinical practice.

Kunapipi šepetanjaKunapipi Šepetanja III
Ni to nujno vedno vezano na neko patologijo oziroma, kako bi rekli temu, na neke klinične primere, na neke grozne, velike težave.
It is not necessarily always tied to some pathology or, as we would say, to some clinical cases, to some terrible, large problems.

Kunapipi šepetanjaKunapipi Šepetanja III
Ali bi rekli, da je to res čuden tekst, ampak dobro, kakšna umetniška poezija mogoče, kod tale Kosovel, ne?
Would you say that this is quite a strange text, but well, some artistic poetry perhaps, like this Kosovel, right?

radioCona: Maja Lubarda in Igor Štromajer: Pogovor o digitalnem zapisu in avtorstvu kode / Discussion about digital data and software code, june 2008Maja LUMBARDA-Igor STROMAJER
Da, zelo dolge vrste, mislim, s Klino tam smo se pogovarjali, mi je rekel, da v zuni niso imeli, ne, v šopu, mislim, da je rekel, niso imeli kap na zalogi, ne, zdaj, ker je mrzlo v zuni in so rekli, da lahko čez petnaest minut pride, ker grejo v skladišče jih iskati, ne, ampak, ja, pa to, ne, da, da, da rabimo tudi sezonci vsak, vsak let stokrat to, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da
Yes, very long lines, I think, with Klino we were talking there, he told me that they didn't have any outside, no, in the shop, I think he said they didn't have caps in stock, no, now because it's cold outside and they said it could come in fifteen minutes because they are going to look for them in the warehouse, no, but, yes, and that, no, that, that, that we also need seasonal workers every, every year hundreds of times this, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that.

EnotnostIzredno zasedanje: Olimpija : Maribor 0:0 (11.10.2024)
To smo tudi mi zdaj rekli, da bomo začeli poskušati, ja. Ker imamo, recimo, smo se pogovarjali pol z dvemi italijankami, ki nam pomagajo v bistvu, ki nam dajo inpute in so rekli obe, da pajkice tašne kot jih imamo, kao mi, silikončko, veš, pač dodelane dejansko, da ima žepek, da ima ono, da ima to, pa skrito vse, ne, da pač boš zaradi tega na dizajnu, recimo, krešno, ne.
We also said now that we will start trying, yes. Because we talked, for example, with two Italian women who help us basically, who give us inputs, and both of them said that the tights like the ones we have, like ours, with silicone, you know, are actually well-made, that they have pockets, that they have this, that they have that, and everything is hidden, so that you won't be at a disadvantage in design, for example, you know.

MamaMariaGlasba pri otroku, Gordana Buh Žgajner
Tako, vsi bi neki, pač, bili aktualni na Instagramu, pa na Facebooku, pa, kako se je reka, podkesti, pa, ampak, se mi zdi, da medva se še vse je z neko željo po nečem, kar ne obstaja še toliko na slovenskej sceni, pač, kulinarični podkest, kam se veš, imamo več vrst tega in se mi zdi, da smo vse nekako hote prebližati naše, bomo rekli, znane oziroma manj znane slovenske kuharje, v bistvu osvarjalce,
So, everyone wants to be somehow relevant on Instagram, on Facebook, and, what’s it called, podcasts, but I feel like we still have a desire for something that doesn’t yet exist as much in the Slovene scene, namely a culinary podcast, where we, you know, have various types of this and I think we are somehow trying to bring closer our, let’s say, well-known or lesser-known Slovene chefs, basically creators.

Mljaskalnica10: Mljaskalnica gre na počitnice
No, to je zelo ključno, kar ste zdaj rekli, ne, oziroma, kar si je rekel zdaj.
No, what you just said is very crucial, or rather, what he just said.

radioCona: Avtorstvo in vizualna umetnost - pogovor s pravniki in umetniki - 2.del / Panel discussion with lawyers and artists about authors rights and visual arts - part 2, june 2008OKROGLA MIZA 2 DEL - Panel discussion part 2
Že takrat vem, da je bilo tako, da so rekli, da knjige se delajo tako po en let.
I already knew then that it was said that books are made like that for a year.

Po sledeh lisjaka05 | Biotske raznovrstnosti
Potem bi lahko šli šli tog, da bi rekli, da gre za predelavo avtorskega dela, samo ne vem.
Then we could go so far as to say that it involves a transformation of a copyrighted work, but I don't know.

radioCona: Maja Lubarda in Igor Štromajer: Pogovor o digitalnem zapisu in avtorstvu kode / Discussion about digital data and software code, june 2008Maja LUMBARDA-Igor STROMAJER
Če bi to kodo pošiljali pisno, pa dal na internet, pa bi rekli, če tole poženete, boste videli to, potem bi skoraj že kar lahko rekli, da gre za pri občutju javnosti tega avtorskega dela.
If you were to send this code in writing, then put it on the internet, and say that if you run this, you will see this, then you could almost say that it concerns the perception of the public regarding this copyrighted work.

radioCona: Maja Lubarda in Igor Štromajer: Pogovor o digitalnem zapisu in avtorstvu kode / Discussion about digital data and software code, june 2008Maja LUMBARDA-Igor STROMAJER
The shows belong to their publishers, and each line plays from the publisher’s own file. Translations are machine-made. Slovenian books and courses on Amazon (affiliate link).