morajo

Said in 12 Slovenian podcast lines.

• Pač prikazne fotke, thumbnaili morajo biti jasni.

  Just display photos, thumbnails need to be clear.

  

  StvarKaj rabim za svoj YouTube kanal? [Nik Škrlec] | 5 STVARI podkast

• Pa tudi k Fedri v ustvarjalno ekipo sem povabila neke nove ljudi, tako da mislim, da je to vse eno oplajanje in se mi zdi, da tudi mlajši ljudje morajo, je dobro, da sodelujejo v nekih projektih, da ni povsem nujno, da je ta avtorska ekipa povsem enak.

  I also invited some new people to Fedra's creative team, so I think this is all a kind of enrichment, and it seems to me that younger people should be involved in some projects, as it is not absolutely necessary for the authorship team to remain the same.

  

  N1 podkast s Suzano LovecN1 podkast s Suzano Lovec: "To je kot droga"

• nekomercijalne glasbe in tako najprej in zasedajo pač njihova mesta in v bistvu avtori nekomercijalne glasbe v tem primeru sploh ne morajo upati, da bodo dobili na domestile nazaj, recimo en tak bolj znani avtor,

  non-commercial music and so they first occupy their places and basically the authors of non-commercial music in this case cannot hope at all to get their compensation back, for example a more well-known author.

  

  radioCona: Pogovor o avtorskih pravicah na področju digitalizacije, arhiviranja, založništva v Sloveniji.. / Discussion about authors rights, digitalization, archieving, publishing...Maja Breznik in Aldo Milohnic

• ene meje se morajo postaviti, ampak ni pa 100% meja,

  Some boundaries need to be set, but they are not 100% boundaries.

  

  radioCona: Maja Lubarda in Igor Štromajer: Pogovor o digitalnem zapisu in avtorstvu kode / Discussion about digital data and software code, june 2008Maja LUMBARDA-Igor STROMAJER

• in da morajo, če hočejo, pač prosperirati, začeti z neko proizvodno, ki jim bo prinašala dohodek.

  and if they want to, they have to prosper, start with some production that will bring them income.

  

  R&FR&F 5. epizoda

• a morajo biti pesmice, kakšne morajo biti, kaj je zabavno, kaj ni zabavno,

  And do the songs have to be like that, what should they be like, what is fun, what is not fun,

  

  Po sledeh lisjaka05 | Biotske raznovrstnosti

• nekem zelo jasnem uporabnem vidiku, ne, pač, morajo biti predani za kartico, verjetno,

  in a very clear practical aspect, no, they must be committed to the card, probably,

  

  Preživeti ArtTina Lipovšek - O rokodelski obrti, nevarnostih masovne proizvodnje in iskanju lastnega kreativnega izražanja

• Ne, da ne morete več oglajavljati materialne pravice za nekaj, kar je postajalo že podružbljeno in da preprosto vsa ta gradiva, ki jih daje na voljo, morajo biti za to podružbljeno znanje cenejša.

  No, you cannot continue to advertise material rights for something that has already become publicly available, and simply all the materials that you provide must be cheaper for that publicly available knowledge.

  

  radioCona: Pogovor o avtorskih pravicah na področju digitalizacije, arhiviranja, založništva v Sloveniji.. / Discussion about authors rights, digitalization, archieving, publishing...Maja Breznik in Aldo Milohnic

• Tudi, tudi, ja, mislim, morajo se ozirati, bi rekel, tako, tist, k temu, kar prinaša največ denarja, oziroma kar prinaša denarje hledanost, ne.

  Yes, yes, I think they have to look for what brings in the most money, or what brings in financial gain, right?

  

  Družina in ŽivljenjeDrago Jerebic - Slišati stisko ljudi | #OdnosiSoZakon | Podkast #070

• In mora biti zato omejena, morajo biti ene omejitve, ker monopol mora biti vedno omejen.

  And it must therefore be limited; there must be some restrictions because a monopoly must always be limited.

  

  radioCona: Maja Lubarda in Igor Štromajer: Pogovor o digitalnem zapisu in avtorstvu kode / Discussion about digital data and software code, june 2008Maja LUMBARDA-Igor STROMAJER

• v recimo ženske, ki ne morajo zanositi, nosečence, mamice, oziroma tudi potem očkoti,

  in let's say women who cannot conceive, pregnant women, mothers, or also then daddies,

  

  Med zemljo in nebom11 • Največ, kar lahko naredimo je, da mi premaknemo sebe - Nana Krošel

• In ne bi tega radi izgubili na račun tega, da morajo galeristi pač, da se v bistvu galeristam zvišajo stroški, ne, na ta način, oziroma zmanjšajo dohodki, ker morajo del dohodkov nameniti avtorjem, ne, pozdorjalcem.

  And we wouldn't want to lose this at the expense of the fact that gallery owners, in essence, have to increase their costs, or reduce their income, because they have to allocate part of their income to the authors, to the promoters.

  

  radioCona: Urša Chitrakar: Pogovor o teoriji in praksi uveljavljanja in upravljanja avtorskih pravicURSA CHITRAKAR - interview

The shows belong to their publishers, and each line plays from the publisher’s own file. Translations are machine-made. Slovenian books and courses on Amazon (affiliate link).