glasbo

Said in 12 Slovenian podcast lines.

• Podpisal se je pod glasbo gledaliških odrov, opere, reklam, filmov in glasbenih koncertov.

  He signed under the music of theater stages, opera, advertisements, films, and music concerts.

  

  Še vsaka je rodila#16 - Pozitivna izkušnja naravnega poroda - prvorodka | Lotti

• Primo šladnik in Boris Benko, ki sta ustvarjala, kot ste prej, prebrala vse tišine in zvoke in glasbe in zapredstave in ki sta v nekem obdobju, predvsem tem madrickem, imela možnost tudi snemat svojo glasbo z simfoničnim orkestrom Teatra Real in recimo se je tudi tu se zgodili eni premiki, ki so se zgodili.

  Primo Šladnik and Boris Benko, who created, as you mentioned earlier, read all the silences and sounds and music and performances, and who at one point, especially during this madrigal period, had the opportunity to record their music with the symphonic orchestra of Teatre Real, and let's say there were also some shifts that happened here.

  

  N1 podkast s Suzano LovecN1 podkast s Suzano Lovec: "To je kot droga"

• tako kot imamo recimo v kinoteki in podobno, ko se naredi en tak večer, ko se nemi film, ozvoči z živo spremljajočo glasbo,

  just like we have, for example, in the cinema archive and similar places, when there is an evening when a silent film is accompanied by live music,

  

  radioCona: Pogovor o avtorskih pravicah na področju digitalizacije, arhiviranja, založništva v Sloveniji.. / Discussion about authors rights, digitalization, archieving, publishing...Maja Breznik in Aldo Milohnic

• In v tem primeru predpostavka je, da ti bari pač uporabljajo glasbo medijev, ki so najbolj močnejši in potem se primerja z neko medijev, ki so najbolj močnejši in potem se primerja z neko medijev, ki so najbolj močnejši in potem se primerja z neko medijev, ki so najbolj močnejši in potem se primerja z neko medijev, ki so najbolj močnejši in potem se primerja z neko medijev, ki so najbolj močnejši in potem se primerja z neko medijev, ki so najbolj močnejši in potem se primerja z neko medijev, ki so najbolj močnejši in potem se primerja z neko medijev, ki so najbolj močnejši in potem se primerja z

  And in this case, the assumption is that these bars simply use the music from the media that are the strongest, and then it is compared to some media that are the strongest, and then it is compared to some media that are the strongest, and then it is compared to some media that are the strongest, and then it is compared to some media that are the strongest, and then it is compared to some media that are the strongest, and then it is compared to some media that are the strongest, and then it is compared to some media that are the strongest, and then it is compared to.

  

  radioCona: Pogovor o avtorskih pravicah na področju digitalizacije, arhiviranja, založništva v Sloveniji.. / Discussion about authors rights, digitalization, archieving, publishing...Maja Breznik in Aldo Milohnic

• Takih primerov je pa več različnih tudi za glasbo, za vse.

  There are more different examples like that for music, for everything.

  

  radioCona: Maja Lubarda in Igor Štromajer: Pogovor o digitalnem zapisu in avtorstvu kode / Discussion about digital data and software code, june 2008Maja LUMBARDA-Igor STROMAJER

• Zložniku naredi uslugo s tem, da predvaja neko glasbo. To ni nič druga kot pozicija distributerja. Želiš imeti svoje izdelke v moji trgovini, ni problem, izvoli, ti jih dam na polico, zato boš pa plačal meni provizijo toliko in toliko, ker jaz sem denimo markator in zahtevam, da se mi plača toliko in toliko stotkov od te in te cene.

  Do the distributor a favor by playing some music. It's nothing more than the position of a distributor. You want your products in my store, no problem, go ahead, I'll put them on the shelf, but you'll pay me a commission of this and that amount, because I'm, for example, a marketer and I demand to be paid this and that percentage of this and that price.

  

  radioCona: Pogovor o avtorskih pravicah na področju digitalizacije, arhiviranja, založništva v Sloveniji.. / Discussion about authors rights, digitalization, archieving, publishing...Maja Breznik in Aldo Milohnic

• Konec koncev, recimo, do nedavnjega smo lahko kupovali glasbo na CD ploščku z recimo 10 do 20 komadov.

  After all, let's say, up until recently we could buy music on a CD with around 10 to 20 tracks.

  

  radioCona: Maja Bogataj Jancic - intervju o avtorskih pravicah in o upravljanju z digitalnimi vsebinami / an interview about authors rights and digital rights management (DRM)Maja Bogataj Jančič

• In v tem primeru predpostavka je, da ti bari pač uporabljajo, predvajajo glasbo medijev, ki so najbolj močnejši in potem se primerja z neko medijskimi analizami poslušalnosti te vdaj, se aplicira na bare.

  In this case, the assumption is that these bars use and play the music from the media that are the most powerful, and then it is compared with some media analyses of the listenership of these broadcasts, which is applied to the bars.

  

  radioCona: Pogovor o avtorskih pravicah na področju digitalizacije, arhiviranja, založništva v Sloveniji.. / Discussion about authors rights, digitalization, archieving, publishing...Maja Breznik in Aldo Milohnic

• ker ko iščem pač recimo članke po internetu, knjige, glasbo in tako naprej, cene se ne razlikujajo od tistih, ki so v trgovinah.

  Because when I search for articles on the internet, books, music, and so on, the prices do not differ from those in stores.

  

  radioCona: Pogovor o avtorskih pravicah na področju digitalizacije, arhiviranja, založništva v Sloveniji.. / Discussion about authors rights, digitalization, archieving, publishing...Maja Breznik in Aldo Milohnic

• Glasbo ima v krvi. Družina mu pomeni vse, čeprav je brat edinec.

  Music is in his blood. Family means everything to him, even though he is an only child.

  

  Še vsaka je rodila#16 - Pozitivna izkušnja naravnega poroda - prvorodka | Lotti

• Ne samo z besedami, tudi s tišinami, premovki, glasbo, gibanjem svetlobe,

  Not only with words, but also with silences, movements, music, the movement of light,

  

  N1 podkast s Suzano LovecN1 podkast s Suzano Lovec: "To je kot droga"

• Se pravi, trgovine se zapirajo, mediji, ki so zmožni predvajati glasbo ali distribuirati besedila, postajajo distributeri prek tega mehanizma, da mediji, če znamo ladesko postajo, naredi uslugo ponudniku glasbe, se pravi, zložbi.

  That means that stores are closing, the media capable of playing music or distributing texts are becoming distributors through this mechanism, so that the media, if we can label the station, does a favor to the music provider, that is, to the label.

  

  radioCona: Pogovor o avtorskih pravicah na področju digitalizacije, arhiviranja, založništva v Sloveniji.. / Discussion about authors rights, digitalization, archieving, publishing...Maja Breznik in Aldo Milohnic

The shows belong to their publishers, and each line plays from the publisher’s own file. Translations are machine-made. Slovenian books and courses on Amazon (affiliate link).