barve
Said in 7 Slovenian podcast lines.
In imaš dveset let čudoviti izdelek, razen po dve leti nekaj, kar je, ne vem, mogoče pa modre barve zdaj, ne.
And you have a wonderful product for twenty years, except for two years something that is, I don't know, maybe now in blue color, no.

Preživeti ArtTina Lipovšek - O rokodelski obrti, nevarnostih masovne proizvodnje in iskanju lastnega kreativnega izražanja
gor, da kombiniraš barve, ampak to gre spet če sebe, ker ni minimalistično in meni všeč. In težko daješ nekaj
It's great to combine colors, but that again goes back to you, because it's not minimalist and I like it. And it's hard to give something.

Preživeti ArtTina Lipovšek - O rokodelski obrti, nevarnostih masovne proizvodnje in iskanju lastnega kreativnega izražanja
Malo se moraš naučiti, se pravi, moraš neke barve najdeti, pa tako, jaz zdaj to ne znam delat.
You have to learn a little, so you have to find some colors and so on; I don’t know how to do that right now.

radioCona: Maja Lubarda in Igor Štromajer: Pogovor o digitalnem zapisu in avtorstvu kode / Discussion about digital data and software code, june 2008Maja LUMBARDA-Igor STROMAJER
slikarje so tudi barve sami mešali,
the painters also mixed the colors themselves,

radioCona: Maja Lubarda in Igor Štromajer: Pogovor o digitalnem zapisu in avtorstvu kode / Discussion about digital data and software code, june 2008Maja LUMBARDA-Igor STROMAJER
Barve so bile drugačne, občutek, ki so mi ga globoko v notranjosti dajale stvari, je bil drugačen.
The colors were different, the feeling that things gave me deep inside was different.

I, kaj ti?#35 | O potovanju po jugovzhodni Aziji s Tomažem in Mašo
Zdaj, jaz ne znam to uporabljati najboljše. Aha, dobro, tako. Ne, in zdaj jaz pa tle, pa sami nastanem, zdaj, te še najbrž kaj druga obstaja, kakšne barve ali kaj, samo jaz to ne znam.
Now, I don't know how to use this the best. Aha, good, like that. No, and now I'm here, and I get set up myself, now, there probably exists something else, some colors or something, it's just that I don't know that.

radioCona: Maja Lubarda in Igor Štromajer: Pogovor o digitalnem zapisu in avtorstvu kode / Discussion about digital data and software code, june 2008Maja LUMBARDA-Igor STROMAJER
pa premislim, da podoba je pa najbolj paradoksna mogoče. Zakaj? Zaradi tega, ker se nam zdi najbolj materialna, zdi se nam, da je to pred nami, da se lahko dotaknemo, barve vidimo, res, kaj je bolj materialnega od tega, kar lahko vidiš, tako rekoč, ne.
I think the image is perhaps the most paradoxical. Why? Because it seems to us the most material; it seems that it is in front of us, that we can touch it, we see the colors. Really, what is more material than what you can see, so to speak, right?

Razpotja post scriptumRazpotja 43: Podoba
The shows belong to their publishers, and each line plays from the publisher’s own file. Translations are machine-made. Slovenian books and courses on Amazon (affiliate link).